This Week — 18 February 2022

Whether you’re ready for a night on the town or an evening at home with a cup of tea, the Circus District has offerings to keep you entertained, informed and engaged.


February 19


***Be sure to check out each venue’s Covid safety regulations prior to attending in-person events.

February 25-27

  • Witness a triumphant reimagining of the mythological tale of Eurydice at Songs From the UnderWorld, created by Baltimore artist ellen cherry. This show opens with a Jim Henson Foundation-sponsored work of puppetry by Anna Fitzgerald, and follows with multimedia storytelling inspired by ellen cherry’s recovery from a car wreck a few years ago. Show times are 8 p.m. (2/25 & 2/26) and 3 p.m. (2/27). Get tickets at this link.

February 26

April 3 – second show added!


  • Creatives Rebuild New York (CRNY) is putting great ideas into action. Artists in New York can apply for a guaranteed $1,000 income per month for 18 months, with 2,400 spots available in the program. CRNY Is also setting up an Artist Employment Program, which partners with various organizations to provide solid employment to artists ($65k per year + benefits!), allowing creatives to fully devote themselves to their craft.
  • This program stems from the not-so-revolutionary idea that if you provide for the most basic needs of individuals, they can prioritize acquiring gigs, creating valuable work, educating themselves, and building generational wealth. It’s important to think about the power of a guaranteed income when we evaluate the institutional support for artists in our region. While grant programs and residencies enable some growth in the creative sector, guaranteed income can remove many barriers to entry/continuance for artists to survive and thrive in our communities.


February 18 & 23

February 23

  • The District Rope Group will hold a Virtual Rope Jam via Zoom from 8-10 p.m. This is a great place to share your skills, ask questions, and suggest topics for discussion/education. You are welcome to join this gathering however you feel comfortable (camera/audio on or off), but recording of any kind is not permitted. RSVP by joining the group and responding to the Facebook event page.

February 24

  • The Fairfax Jugglers will meet on Thursdays from 7:30-10 p.m. in the Key Middle School cafeteria. Visitors must wear masks and sign a liability waiver. 


March 13


  • Circus artists who identify as persons of color living in the U.S. can now apply for CSAW‘s April $1,000 microgrant. The deadline is March 15. Find more information at this link.
  • If you’re interested in applying to a circus school in the U.S. or abroad, check out CSAW’s application mastersheet, with a comprehensive list of deadlines and school ambassadors, who are available to answer your questions and guide you through the selection process. Whether you’re currently applying to schools or considering applying in a year or two, this list is an invaluable resource.


Through February 19

  • Delve into 4,000 years of juggling history through the innovative and playful mind of Jay Gilligan in his show REFLEX, presented by Hideaway Circus. This intimate show uses unique props, inventions and robots to reveal a mesmerizing world of object manipulation. Appearing at Theater Mitu580, with tickets at this link.

Through March 6

  • We are over the moon to report that Happenstance Theater is debuting their show BAROCOCO at 59E59 Theaters in Manhattan. This production transports you to the late Baroque era and its lavishly adorned characters whose lifestyles are on the brink of extinction, told through exquisite physical comedy and seamless ensemble work. Get tickets at this link.

Photo by DirkJan Ranzijn © 2010

This Week — 26 November 2021

At this time of year (and all year long, actually), we’re thankful for you, our readers, for putting our words into action at every turn. An extra-special shout-out to our Patreon sponsors, who help us conquer our web hosting bills while also dreaming about another year rich with community circus content.


December 4

  • Celebrate the life of Monarca in Flight owner, aerialist, artist and educator Acoatzin Torres at the Parish Hall of St. Alban’s Episcopal Church in Annandale from 5-7 p.m. Guests are encouraged to wear bright, colorful clothing, and to share their remembrances, as they also catch glimpses of the energy, joy and beauty Acoatzin brought to this world through photographs, videos, mementos and stories.


***Stay safe, and know before you go! Be sure to check out each venue’s Covid safety regulations prior to attending in-person events.

December 1

December 4

  • The Adult Section at Library Tavern DC is excited to share their next installment of dinner theater, with sensational performances by Tempete LaCoeur, Jim Dandy, Eva Mystique and Delilah Dentata. A dinner of Persian dishes (included in your ticket price) will be served from 6:30-8 p.m., followed immediately thereafter by the show. Get tickets at this link.

December 17


November 30


December 4

  • If you missed the Gold Over America Tour during its trek across the U.S., fear not! The show will be livestreamed at 4 p.m. EST. This show goes far beyond an exhibition of elite gymnastics, delving into themes of empowerment, social media, mental health and positive body image in a series of electrifying routines. Buy a general admission ticket for 24 hours of video playback, or purchase a VIP ticket for access to a chatroom with Simone Biles and others. Get tickets at this link.


  • The Atlas Intersections Festival will return to H Street from February 24 to March 6, 2022, presenting an array of performances that explore the ideas and issues of our time. Categories include movement, sound, story and family performances. Apply by December 10 at 5 p.m. As a former producer of an Intersections show, I highly recommend this festival to anyone seeking an opportunity to mount their work in a circus-friendly environment that covers many of your major costs. View the application at this link.
  • Circadium is now accepting applications for Fall 2022 students. Visit this link to fill out the application for this three-year program, designed to bolster your movement and performance skills and prepare you for a professional career in circus arts The deadline to apply is January 31, 2022. 
  • Circus artists who identify as persons of color living in the U.S. can now apply for CSAW‘s January $1,000 microgrant (deadline is Dec. 15). You can also consider applying for the upcoming tuition grant ($5,000), which can be used for any circus education related expenses. Find more information at this link.


November 28

December 1

December 2

  • The Fairfax Jugglers will meet on Thursdays from 7:30-10 p.m. in the Key Middle School cafeteria. Visitors must wear masks and sign a liability waiver. 

This Week — 30 July 2021

As we approach the last vestiges of summer, let’s look forward to some local circus shows and high-caliber online productions!


August 1


August 21

  • UpSpring Studio presents Summertime, an outdoor celebration of beach vibes set to an upbeat summer soundtrack at Joe’s Movement Emporium. Featuring new aerial choreography from local artists. Masks are required, and guests will be socially distant during the show. Get tickets at this link.


July 29

  • The Fairfax Jugglers will are meeting on Thursdays from 7:30-10 p.m. at the Key Intermediate School Cafeteria (6402 Franconia Rd., Springfield, VA). All are welcome to join this fun and casual juggling meet-up, happening every Thursday that Fairfax County Schools are hosting evening activities. They will likely start the evening outdoors in nice weather, then migrate indoors to the school gym. Check out this map for specific location information.

July 30


July 10 – August 8

July 30 – August 16

  • Circus Hermanos Vazquez is celebrating its 50th Anniversary with a tour that will appear at Tysons through August 16. Get tickets at this link.


July 30-August 7

  • Enjoy the Virtual Aerial Dance Festival, with workshops in aerial theory, dance, juggling, flexibility, creativity, pilates, improvisation, burlesque and more. There will also be panel discussions on a variety of topics including aging in aerial arts, implicit bias of BIPOCs in entertainment, intersectionality in aerial dance and circus, and aerial and motherhood. Register at this link.

The Circus Ship: Review

The Circus Ship

By Chris Van Dusen

Published 2009 by Candlewick Press

This copy is from Christian’s collection.

In many children’s books on the topic, ‘circus’ becomes synonymous with ‘a gaggle of animals.’

Fortunately, due to Chris Van Dusen’s marvelous illustrations in The Circus Ship, we can forgive him for this egregious generalization.

As a review on the back of the book states, ‘the pictures are the true stunners.’ In each of his illustrations, Van Dusen depicts the vivid story of an ill-fated ship, its determined animal survivors, and the momentarily skeptical townspeople who receive these unexpected guests.

The story was inspired by a real event. In 1836, a vessel described as a ‘steamer and a sailing vessel with the advantages and disadvantages of each’ experienced a devastating fire about a mile off the coast of Maine. On board were more than 90 passengers and crew, as well as a variety of circus animals, who had just finished a three-month tour of the Maritimes in Canada1.

In Van Dusen’s version, the steamboat hits a ledge with a ‘CRASH’ and a ‘BASH.’ As the vessel sinks, the domineering circus boss Mr. Paine demands that his sole crewman Mr. Carrington row him to safety — with no regard for the animals’ welfare.

Luckily, in this completely non-tragic retelling, all of the animals can swim!

I applaud Van Dusen for incorporating vocabulary like ‘bedraggled’ into his description of the wild creatures’ state upon arriving to shore. Many authors limit the sophistication of their prose when writing for ages 4-8, when that age group has much to gain from ‘challenge’ words enveloped by strong visuals.

The town that receives the animals is based on the island of Vinalhaven, from whose coast residents witnessed the real-life steamboat catastrophe. It’s unsurprising that despite the event’s serious casualties (31 people drowned, while all of the animals were lost), rumors persisted about the animals’ true fate.

Van Dusen embraces this adventurous notion of townspeople suddenly finding ostriches, monkeys and elephants in their midst. The accompanying pictures capture incredible perspective and depth as the animals work their way into the town’s heart — making this a great book for young readers to get lost in.

For a read-aloud, I find some of the book’s four-line poems to be clunky and lazy, in keeping with its convenient plot devices (see: tiger rescuing a child from a burning shed to earn the town’s trust).

The predictable story nonetheless bears fruit in a splendidly illustrated spread featuring 15 cleverly hidden animals evading their red-faced owner’s retrieval (like any good villain, Mr. Paine charts a furious rowboat into the horizon).


While I loved the colorful illustrations and the spirit of the book, I wouldn’t recommend it as a stellar read-aloud on the topic of circus. Kids who love animals will adore the detailed drawings. The human characters have very little depth, but for those who love seeing a mean-spirited man get what’s due, this is a cathartic read.

  1. Harry Gratwick (2010, June 15). ‘The Tragedy of the Royal Tar: Maine’s 1836 Circus Steamboat Disaster.’ The Working Waterfront Archives.

How do we decide which books to review? These book reviews are not paid by either the authors or publishers. We do sometimes receive a free book though, which is pretty great. We love books. We are not obligated to post any review, positive or otherwise; we post reviews because few others seem to be doing so and we wanted to read circus book reviews. We hope they’re helpful to you as well. Some books were already part of our collection and we wanted to show them off. Some books we found in a small free library or the thrift store or bought for ourselves like capable adults. If you’d like us to review your book, or a book of your choosing, email us at

Dispatch from Seattle, Part Four

Note: This is the final article in a four-part series. Read part one, part two and part three here.


This series will explore how circus communities are navigating a future fraught with unanswered questions, using collaboration and determination to draw their own road map through immense obstacles. Like every other U.S. city, Seattle saw its circus events, workshops and performances grind to a halt in March, as the pandemic forced almost all circus artists to put their usual social and professional activities on hold.

We’ve seen how important [circus] is to so many people. I feel a huge responsibility. I can’t just walk away from this.

Versatile arts, photographed prior to the pandemic by David Inman.

Beverly Sobelman is the executive director of Versatile Arts, an aerial studio she founded in northern Seattle in 2007.

Getting through the pandemic has been a trying experience, but Sobelman said her peers in the circus community have been there to collaborate, commiserate and overcome the unimaginable circumstances.

“I’ve worked hard to try to get the Seattle community to be very cooperative as opposed to competitive, because it’s a huge market,” Sobelman said. “There’s no reason for us to see each other as competition.”

In the wake of the shutdown in March, Sobelman worked with the American Circus Educators’ safety committee to develop a Covid resource kit for circus schools. This industry-specific document aimed to provide much-needed guidance for spaces like Versatile Arts, which was able to reopen its doors in the summer.

With many circus schools struggling to adapt the guidelines for fitness centers and climbing gyms to their unique spaces, Sobelman said she had to blaze her own trail in lieu of specific governmental recommendations and enforcement.

“I feel like we did an amazing job, because our students said our studio was one of the only places they felt safe outside of their own homes,” Sobelman said. “It makes sense, because when you run an aerial studio, safety has to be one of the things that you think about all the time anyway. So this was just a new way to think about safety.”

performers from a ‘silver foxes’ show at Versatile arts prior to the pandemic. Photo by John Cornicello.

Versatile Arts also survived Washington’s second state-mandated shutdown from mid-November to early January. But the past year has taken its toll.

Even though she received grants and government aid to stay afloat, Sobelman said ‘hidden costs’ continue to burden small businesses like hers.

“Most of my employees are now filing for unemployment, which I want them to do. And yet, the amount I pay for unemployment insurance is going to go up dramatically for years to come,” she said. “I don’t know how long it will take us to recover financially.”

Sobelman has consistently operated her business at a manageable scale. But no amount of business savvy could prepare her for the trials of 2020.

“Versatile Arts has always been profitable. I just started small. And we’ve only ever grown to where we could already support the size,” she said. “We’ve always been in the black. So to be in this position of having to ask for  help is very humbling.”

Sobelman set up an online patronage program that is currently yielding $1,000 per month from 30 donors, who were grateful for the opportunity to help defray her operating costs during this time.

While the challenges continue to mount in the new year, the temporary closure of circus businesses has magnified the role they play in maintaining their students’ physical and emotional health.

“We’ve seen how important it is to so many people,”  Sobelman said. “I feel a huge responsibility. I can’t just walk away from this.”

“I’ve tried to leave circus many times,” she said, recalling short-lived stints in the tech industry and graduate school. “Running a circus school is more fun.”

Versatile Arts will present a virtual retrospective of their past shows featuring ‘aerialists of a certain age’ in Silver Foxes 2021: Looking Back, Looking Forward tomorrow (3/13) at 9 p.m. EST. Get tickets at this link.

Dispatch from Seattle, Part Three

Note: This is part three of a four-part series. Read part one and part two here.

listen to this article:

This series will explore how circus communities are navigating a future fraught with unanswered questions, using collaboration and determination to draw their own road map through immense obstacles. Like every other U.S. city, Seattle saw its circus events, workshops and performances grind to a halt in March, as the pandemic forced almost all circus artists to put their usual social and professional activities on hold.

I believe that in the burlesque industry especially, we make art that is political. We make art that is reflecting the world back at itself and turning it upside-down.

Moscato extatique, ‘the them fatale of Burlesque,’ photographed by derek villanueva.

Unsurprisingly, venues for live entertainment in Seattle face an uncertain future as they have grappled with unavoidable financial stress and organizational rebranding in the past year.

Re-bar, a nightclub that hosted cabaret, music and LGBTQ+ events for 30 years, announced the closure of its longtime location this past May, with hopes to reopen elsewhere in late 2021.

Burlesque performer and educator Moscato Extatique, known as ‘The Them Fatale of Burlesque,’ said that Re-bar was the site of their first live performance.

“Re-bar has been such a staple in our city for drag, burlesque and cabaret nightlife,” Moscato said. “The whole city — the arts community and the nightlife community — really had to grieve that loss, and the reality of the effects that the pandemic is having.”

Moscato is a member of the burlesque troupe Mod Carousel, which immediately responded to the shutdown by shifting their focus to virtual spaces.

“We definitely just adapted to the times and hit the ground running,” they said, noting that the March 28th edition of their show 6 Foot Cabaret quickly surpassed 100 viewers, requiring them to upgrade their Zoom account mid-production.

As the shutdown dragged on, Moscato said that being stuck in the digital realm didn’t always feel like artistic punishment.

“People are finding new ways to be more innovative with their art, discovering ways to present something that you can’t do on a physical stage live,” they said. “I think that’s where I’m very inspired, and I want to continue to do more of that work.”

Moscato extatique by wittypixel photography.

For Moscato, 2020 initially felt like it would be a breakout year, one where their many years of training in dance and burlesque were starting to pay off for their solo acts and group performances.

“We had a European tour on the books, and that would’ve been my first time out there,” Moscato said. “I was just so excited to finally experience that, and show my art to another audience. But of course, those plans were foiled.”

Moscato had also been invited to perform in Las Vegas in the Burlesque Hall of Fame‘s Tournament of Tease, “which is considered like the Olympics of our industry,” they said. If not for the pandemic, that competition would have happened in June 2020.

Brick and mortar performance spaces are trying to roll with the punches. Alternative venues like Theater Off Jackson in Seattle’s International District have invited local groups to co-produce online shows in their otherwise dormant spaces.

Moscato said that organizational efforts to meet the unique challenges of Covid — while also boosting diverse representation in the arts — have not gone unnoticed.

“I believe that in the burlesque industry especially, we make art that is political. We make art that is reflecting the world back at itself and turning it upside-down,” Moscato said. 

“I want to see more black and brown bodies on stages virtually and physically. I want to see producers not tokenizing black and brown bodies,” they said. “I think that that is something that is going to carry on into the future.”

Moscato’s upcoming shows include For the Love of Marinka — a benefit show for the late burlesque star — on March 6 at 8 p.m. EST, Booklovers Burlesque: Once Upon a Tease on March 6 at 10 p.m. EST, and The Noire Project presents Black and Brown Excellence on March 12 at 7 p.m. EST.

Come back next week for Dispatch from Seattle, Part Four, which profiles Versatile Arts owner Beverly Sobelman.